So both eventuality theories that demonstrate the effectivity of a leader as related to his or her ability to accommodate to different personal manners of their followings is of import.
Summary Analysis The narrator of "Tell-Tale Heart" defends his sanity — he says he is nervous, but that he can not be called mad. His senses are in fact quickened, and he is more alert and has heard things from both heaven and hell.
He admits that his motives for the act to follow are curious, that there was no passion that provoked it. Cask of amontialldo character traits narrator starts by protesting his sanity but such a forceful declaration immediately raises suspicions that he might be misleading us or under an illusion.
Active Themes Related Quotes with Explanations The narrator of "Tell-Tale Heart" thinks we must suspect him of madness again, but we will be dissuaded when we see for ourselves the methodical, patient way that he goes about the murder. Then he opens the shutter of the lantern so that a single ray falls on the eye.
Every night, he is annoyed to find the eye closed, because it is its stare that gives him his motivation. The next morning, he always calls to the old man and asks him how he slept. The narrator seems to think that a person can only be mad if they aren't methodical.
But his methodical efforts to kill an old man because he doesn't like the man's eye is crazy! That he needs to actually see the eye to commit the crime makes him seem even crazier.
Poe increases and increases the suggestion of madness that he planted at the start of the story. Active Themes On the eighth night, the narrator of "Tell-Tale Heart" is particularly gleeful about his sneakiness.
He marvels at how the old man knows nothing of his plan. He even laughs a little to himself. But then he thinks he hears the man stirring, but he goes on, gradually putting the lantern inside, knowing that the room is pitch black. But he slips and the lantern chimes and the old man calls out.
Active Themes For an hour, the narrator of "Tell-Tale Heart" keeps very still and can sense the old man is awake, listening for intruders.
The narrator says he knows what this is like. And then the old man lets out a groan, and the narrator recognizes this too, as a sound that comes straight from the soul.
The narrator sympathizes but still feels like chuckling. He imagines what the man has been going through since he awoke, trying to explain away the noise and comfort himself but in vain because he feels that Death is in the room.
The strange thing about this rivalry between the narrator and the old man is that it is not really hateful. The narrator seems to have a lot of sympathy for the old man. In fact he knows exactly how scared the old man is, having felt the same mortal terror before.
The narrator's old fury is stirred at the sight. The narrator keeps still but the heart beats faster and louder. A terrible anxiety seizes the narrator. The narrator describes the sight of the eye and sound of the heart as if he is really seeing them, and ascribes the violence of his reactions to his naturally sensitive senses.
He works quickly and quietly through the night, dismembering the body and taking up the planks and hiding everything below the room, so that there is no trace whatsoever of the old man. Each time the narrator has tried to prove his sanity, he has found himself undermining it with confessions of mad behavior.
It is the police, who have been alerted to a worrying sound from the address and want to search the property.
The narrator smiles, at ease. He places his own chair directly over the remains. Again, he seems to take his calmness as a sign of his sanity, when in fact it seems to the reader like a signal of his total madness.
Active Themes The calm manner ofthe narrator of "Tell-Tale Heart" puts the policemen at ease, and they sit and talk, and the narrator talks animatedly at first, but becomes pale and nervous as time drags on. Active Themes Related Quotes with Explanations The narrator of "Tell-Tale Heart" talks faster and louder to try to cover it up and now, panicked, paces the floor.
The sound rises above everything, and still the policemen act as if nothing is wrong. The narrator convinces himself that they are fully aware of the crime and are mocking him. He paces the floor, until he loses control entirely and confesses everything, telling the men to tear up the floor boards and that they will find the beating heart.When both workers and leaders reach for a common end.
it is possible for that leader to work in a less formal footing with his or her staff. If a leader believes in McGregor’s Theory X. so he or she will probably believe that their subsidiaries must invariably be motivated and micromanaged in . ENC Character Analysis: Montresor “The Cask of Amontillado” Edgar Allen Poe’s “The cask of Amontillado” is a sinister tale of revenge narrated by a character named Montresor.
The setting takes place in an underground tomb in Italy during carnival season. "The Cask of Amontillado" uses a first-person narrator (a narrator that is a character in the story), and, sometimes, first-person narrators can be unreliable.
This is the perfect example of a character whose mind is acting against itself. The narrator’s paranoia leads him to extremely realistic delusions about the suspicions of those around him even though, to the reader, it seems as though they really have no suspicion at all.
Students identify types of irony in literature by using a character likeness on their storyboard. Students create storyboards that show and explain each type of irony as found in the work of literature; using specific quotes from the text which highlight the irony. "The Cask of Amontillado" by Edgar Allan Poe.
The Setting in "The Cask of Amontillado" In the story "The Cask of Amontillado," by Edgar Allan Poe, a maddened narrator, Montresor, plans to get revenge on a .